Trying to find LGBTQ+ books in a heteronormative society can be quite the task, and as a queer identity, it can become exhausting filling your mind with literature that sometimes you just can't relate to. Below is a mix of non-fictional and fictional pieces of literature that that are entirely queer friendly. Enjoy!
Wrongly Bodied relates the stories of Jake, a contemporary white male imprisoned in a woman’s body, as he transitions from female to male, and Ellen Craft, a 19th century black slave woman who escapes to Philadelphia from Georgia by passing as a white male slave owner. Working as staff support at a small woman’s college in Denton, Texas, and in the US Army reserves, Jake had been a female soldier in Operation Desert Storm in 1991. Sligh and Jake worked together over four years to document his journey. What results is a book of photographs and texts that take us inside what became a highly transformative journey for the photographed and the photographer.
The last thing in the world Thom Creed wants is to add to his father's pain, so he keeps secrets. Like that he has special powers. And that he's been asked to join the League - the very organization of superheroes that spurned his dad. But the most painful secret of all is one Thom can barely face himself: he's gay. But becoming a member of the League opens up a new world to Thom. There, he connects with a misfit group of aspiring heroes, including Scarlett, who can control fire but not her anger; Typhoid Larry, who can make anyone sick with his touch; and Ruth, a wise old broad who can see the future. Like Thom, these heroes have things to hide; but they will have to learn to trust one another when they uncover a deadly conspiracy within the League. To survive, Thom will face challenges he never imagined. To find happiness, he'll have to come to terms with his father's past and discover the kind of hero he really wants to be.
Mikey Walsh didn't know what life was like beyond his Gypsy community. But after fleeing home at age fifteen, he had no choice but to find out. After centuries of persecution, Gypsies are wary of outsiders, and if you choose to leave, you can never come back. Torn between his family and his heart, Mikey at last decided to set out on his own. He soon discovered the outside world wasn't all that he expected, and his life would never be the same again. A shocking yet ultimately triumphant memoir, Gypsy Boy on the Run follows Mikey as he comes to terms with himself, his family, and his past―and builds a new life for himself.
Jericho Brown’s daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex―a combination of the sonnet, the ghazal, and the blues―testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while revelling in a celebration of contradiction.
As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls. With unflinching honesty and lyrical prose, spanning from 1960s Hawai'i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.
Fairest is a memoir about a precocious boy with albinism, a "sun child" from a rural Philippine village, who would grow up to become a woman in America. Coping with the strain of parental neglect and the elusive promise of U.S. citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as she was treated by others with special preference or public curiosity. As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved.
Distant and exacting, Bruce Bechdel was an English teacher and director of the town funeral home, which Alison and her family referred to as the "Fun Home." It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve. In her hands, personal history becomes a work of amazing subtlety and power, written with controlled force and enlivened with humor, rich literary allusion, and heartbreaking detail.
Born in 1954, Cleve Jones was among the last generation of gay Americans who grew up wondering if there were others out there like himself. There were. Like thousands of other young people, Jones, nearly penniless, was drawn in the early 1970s to San Francisco, a city electrified by progressive politics and sexual freedom. Jones found community--in the hotel rooms and ramshackle apartments shared by other young adventurers, in the city's bathhouses and gay bars like The Stud, and in the burgeoning gay district, the Castro, where a New York transplant named Harvey Milk set up a camera shop, began shouting through his bullhorn, and soon became the nation's most outspoken gay elected official. With Milk's encouragement, Jones dove into politics and found his calling in "the movement." When Milk was killed by an assassin's bullet in 1978, Jones took up his mentor's progressive mantle--only to see the arrival of AIDS transform his life once again. By turns tender and uproarious, When We Rise is Jones' account of his remarkable life. He chronicles the heartbreak of losing countless friends to AIDS, which very nearly killed him, too; his co-founding of the San Francisco AIDS Foundation during the terrifying early years of the epidemic; his conception of the AIDS Memorial Quilt, the largest community art project in history; the bewitching story of 1970s San Francisco and the magnetic spell it cast for thousands of young gay people and other misfits; and the harrowing, sexy, and sometimes hilarious stories of Cleve's passionate relationships with friends and lovers during an era defined by both unprecedented freedom and and violence alike.
In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published.
In the era of Grindr and same-sex marriage, gay bars are closing down at an alarming rate. What, then, was the gay bar? Set between Los Angeles, San Francisco, and London, Gay Bar takes us on a time-traveling, transatlantic bar hop through pulsing nightclubs, after-work dives, hardcore leather bars, gay cafes, and saunas, asking what these places meant to their original clientele, what they meant to the author as a younger man, and what they mean now.
In prose as exuberant as a hit of poppers and as dazzling as a disco ball, Atherton Lin conjures the strobing lights and the throbbing music, the smell and taste of tangles of male bodies, the rough and tender anonymous encounters, the costumes and categories—twink, top, masc, queen, tweaker, tourist, voyeur, exhibitionist—all the while tracking the protean aesthetics of masculinity and gayness. Along the way, he invites us to go beyond the simplified gay bar liberation mythology of Stonewall and enter the many other battlefields in the war to carve out space in which to exist, express, and love as a gay man.
Elegiac, sexy, and sparkling with wry wit, Gay Bar is at once a serious critical inquiry into how we construct ourselves through the spaces we inhabit and an epic night out to remember.
Seventeen-year-old Avery Anderson is convinced her senior year is ruined when she's uprooted from her life in DC and forced into the hostile home of her terminally ill grandmother, Mama Letty. The tension between Avery’s mom and Mama Letty makes for a frosty arrival and unearths past drama they refuse to talk about. Every time Avery tries to look deeper, she’s turned away, leaving her desperate to learn the secrets that split her family in two. While tempers flare in her avoidant family, Avery finds friendship in unexpected places: in Simone Cole, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family—whose mother’s murder remains unsolved. As the three girls grow closer—Avery and Simone’s friendship blossoming into romance—the sharp-edged opinions of their small southern town begin to hint at something insidious underneath. The racist history of Bardell, Georgia is rooted in Avery’s family in ways she can’t even imagine. With Mama Letty's health dwindling every day, Avery must decide if digging for the truth is worth toppling the delicate relationships she's built in Bardell—or if some things are better left buried.
Nandan’s got a plan to make his junior year perfect, but hooking up with his friend Dave isn’t part of it - especially because Nandan has never been into guys. Still, Nandan’s willing to give a relationship with him a shot. But the more his anxiety grows about what his sexuality means for himself, his friends, and his social life, the more he wonders whether he can just take it all back. Is breaking up with Dave - the only person who’s ever really gotten him - worth feeling “normal” again?
Robin Blyth has more than enough bother in his life. He’s struggling to be a good older brother, a responsible employer, and the harried baronet of a seat gutted by his late parents’ excesses. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what’s been operating beneath the unextraordinary reality he’s always known. Now, Robin must contend with the beauty and danger of magic, an excruciating deadly curse, and the alarming visions of the future that come with it - not to mention Edwin Courcey, his cold and prickly counterpart in the magical bureaucracy, who clearly wishes Robin were anyone and anywhere else.
Robin’s predecessor has disappeared, and the mystery of what happened to him reveals unsettling truths about the very oldest stories they’ve been told about the land they live on and what binds it. Thrown together and facing unexpected dangers, Robin and Edwin discover a plot that threatens every magician in the British Isles - and a secret that more than one person has already died to keep.
One of the most talked-about scholarly works of the past 50 years, Judith Butler's Gender Trouble is as celebrated as it is controversial. Arguing that traditional feminism is wrong to look to a natural, "essential" notion of the female, or indeed of sex or gender, Butler starts by questioning the category "woman" and continues in this vein with examinations of "the masculine" and "the feminine." Best known however, but also most often misinterpreted, is Butler's concept of gender as a reiterated social performance rather than the expression of a prior reality. Thrilling and provocative, few other academic works have roused passions to the same extent.
The legend begins... Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the kingdom of Phthia to be raised in the shadow of King Peleus and his golden son, Achilles. “The best of all the Greeks”—strong, beautiful, and the child of a goddess—Achilles is everything the shamed Patroclus is not. Yet despite their differences, the boys become steadfast companions. Their bond deepens as they grow into young men and become skilled in the arts of war and medicine—much to the displeasure and the fury of Achilles’ mother, Thetis, a cruel sea goddess with a hatred of mortals. When word comes that Helen of Sparta has been kidnapped, the men of Greece, bound by blood and oath, must lay siege to Troy in her name. Seduced by the promise of a glorious destiny, Achilles joins their cause, and torn between love and fear for his friend, Patroclus follows. Little do they know that the Fates will test them both as never before and demand a terrible sacrifice. Built on the groundwork of the Iliad, Madeline Miller’s page-turning, profoundly moving, and blisteringly paced retelling of the epic Trojan War marks the launch of a dazzling career.
When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.